For the Love of Fashion: A Future Exploration

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  • Love the blog name! Nice vid too!

    posted by: RICH Socks for Happy People - view / reply

  • I'm not SO sure if River Island actually rocks though....but that's me

    posted by: RICH Socks for Happy People - view / reply

  • Guess your not such a River Island boy style wise! but they rock for us as Graduate Fashion Week sponsors! All created by three of our students, Katie Lee, Alexandra Walsh and Vicki Dwyer.

    posted by: elena.kate - view / reply

  • I read an interesting article in the Sunday Telegraph last weekend (27th September 2009); the bold headline read ‘The kids are seething and it’s the fault of our generation!’ Anna Wintour, the 59-year-old editor of American Vogue was trying with all her might to ignore and pretend that Pixie Geldof, 19 and Alexa Chung, 25 don’t exist or even breath the same air as she does. It is astonishing that such inter-generation awkwardness could emerge from one of the most influential women in fashion.
    There has been many a debate about the values, ethics and disjointedness between Generation X and Generation Y and this has led me to pose the question; is this the beginnings of a generation shift in the fashion industry and if so does ‘X mark the lost generation’?

    posted by: Louise Smith - view / reply

  • I think Katie, Vicki & Alexandra did such a good job on this.
    The event was such a huge success, everything was really professional .

    River Island was never a favourite shopping destination of mine but recently they have moved away from their old 'chavvy' image and they seemed to come in to their own for this A/W.

    posted by: Soph - view / reply

  • I'm amazed at this generation's apathy. 25% unemployment, in debt, and just acceptance!!! They got you with negative democracy, but they got the baby boomers pensions. They all have £100M yachts in the carribean and killing themselves with laughter.

    posted by: rob rigby - view / reply

  • i love d vid. its really a good media to promote fashion students. towards the brand.
    RI rocks !!!!
    :)

    posted by: Anika - view / reply

  • I think its a great video to highlight the work of UCLan's students, and the collaboration with River Island.

    I also agree with Soph about River Island moving away from the "chavvy" image they once held, however I feel the menswear section is still lacking in comparison to the womens.

    posted by: matt.ralph - view / reply

  • what does "chavvy" mean?

    posted by: fiona - view / reply

  • 'Chav' (Chelmsford Average) - now a tough term to pin down...
    When 'chavvy' first passed our ears around 12? years ago, we were told of dodgy types, dressed top to toe in either a tracksuit and classic trainers, or clad in burberry check and thick gold jewellery.
    Chav to some of us now, represents mainstream fast-fashion, stemming in part from modern musicians who aim to display that they are talented, yet are from the poverty line, or simple working class backgrounds - indicating that today anything is within reach.
    So many of us want to stay clear of anything 'chavvy', but it seems that the chav look is pretty broad, depending on an individual's view.
    Have chavs just improved their wardrobe, or do retailers design mainly for certain groups of people?
    Regardless of what we think, retailers know exactly who their main customers are. "the clothes maketh the man"? I believe "the man maketh the clothes". One item can appear totally different when worn by two very different people.

    posted by: steve.brindle - view / reply

Trend Forecasting: In need of an update?

Do the traditional ways of presenting trend forecasting information need to be updated to ensure as an industry Forecasting remains an essential part of the fashion industry as a whole?

As digital and social media continues to gain relevance in fashion the traditional mood board and seasonal book could become, well boring, when we have so much opportunity to see exciting film and digital fashion projects online and augmented reality and virtual experience become more mainstream everyday. Of course many trend agencies trade online and off but as sites like Showstudio continue to set the standard for directional fashion output, what could be next for Trend?

All our fashion courses consider trend research a top priority but perhaps the output that we encourage should have a more digital focus. As we increase our work within this area, is now the time to consider the potential collaborations with digital media specialists and possible new teaching methods required if we are to drive trend towards a new digital destination?

Elena Kate Gifford, Trends and Business Development Manager @ UCLAN

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Integrated Graduate Support

This year Fashion Lab, part of the Love Design Festival in Liverpool is offering 20 young designers the opportunity to take part in a business development exercise followed by a presentation to buyers and catwalk show. Other graduate business support is of course available such as NCGE Flying Start and more localized opportunities. Changes are being seen across the University also, with offers off internships and potential ‘Year Out’ ideas for business and employability skill development. Is now a good time, when employment is tough, to reshape the postgraduate fashion offer, with MA study and entrepreneurial learning in a host of new and employability focused studies, becoming the norm or in fact a required addition to study?

Elena Kate Gifford, Trends and Business Development Manager @ UCLAN

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The British Fashion Council: A North/South Divide?

The British Fashion Council are seen as a London centric organization that don’t engage enough with Northern designers or businesses, as a ‘British’ body, should more be done to promote and nurture talent outside of the capital?

Elena Kate Gifford, Trends and Business Development Manager @ UCLAN

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  • Yes, Definately. Northern designers and creative graduates will find it increasingly difficult to find work without the strain of trying to commute or live in London in hard financial times. Also the northen Uni's are producing a really high standard of students with many picking up awards at events like GFW so how can this level of talent be disregarded because of their locations?

    posted by: adavison - view / reply

Has the line between luxury and high street become too blurred?

Has the line between luxury and high street become too blurred? How many more collaborations and diffusion lines can the high street market level take? Does this damage the impact of luxury brands and how they are perceived?

Eve Astle
Lecturer BA (Hons) Fashion Promotion

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  • For the average shopper I think the diffusion lines are welcomed because they can have a small taste of the designers ideas but after a while it starts to degrade the designer's collection such as Giles Deacon and Christopher Kane, if they continue to bring out high street designs as people get used to seeing their work at affordable prices and no longer aspire to attain the designers work.

    posted by: adavison - view / reply

Has the economic climate has changed the face of the British fashion high street?

Do you feel the recent economic climate has changed the face of the British fashion high street? Are shops and brands less willing to carve an identity for themselves and be a little different because they are scared to step out of line? I often feel that every high street shop offers another version of the shop next door and so on, are we a high street of clones with no imagination; where are all the stores aimed at different ages, tastes and styles?

Eve Astle
Lecturer BA (Hons) Fashion Promotion

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Fashion design, development, production chains – what happened to the UK?

How can we inject more revenue into the UK system by bringing back clothing development and production?

As consumers continue to purchase cheap imported fashion which is being wholly produced overseas, is this an impossible vision?   Will the UK ever be self sufficient once again? Has the entire sourcing chain evolved too far for the UK to play a part?

In this climate, how can we improve UK career availability for fashion design and promotion students?

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  • I think we should think really hard and carefully about the UK's peoples, its special places; about its unique histories and those that are universal, and how we can re-make them... then we've got something to offer the world.

    posted by: fiona - view / reply

  • The UK is unique by the fact we pioneered the industrial revolution. We should capitalise on this just like the Egyptian, greeks, and Romans do. We should be proud to emphasis this fact and create stories for touristic purposes, etc.

    posted by: Ken Rigby - view / reply

  • Preston is famous for creating the first Automaton (removed the human out of the manufacturing process) causing riots by the cottage industry weavers. Will Preston become famous for removing the human from education and causing similar riots? Why not! Lobby Ludd's spirit lives on; or those who remember who Lobby Ludd was will.

    posted by: Ken Rigby - view / reply

  • i spent over a year trying to move some of my production back to the UK...& ended up with one factory.I found the people & their working practices too difficult to work with & expensive.
    Also most ironically we are developing an accessories range with a very traditional leather manufacturer in the UK now owned and working far better with overseas owners! its a great idea UK made but the reality is very different,inflexible and out of touch.

    posted by: kenneth 6876 - view / reply

Non Uniform ‘Stay’

Has an increasingly relaxed dress code in the workplace over the last decade put pressure on us to buy more and more inexpensive clothes?  Has our attempt to have multiple outfit changes in a working week, and confusion between our business and social attire, contributed towards us accepting more disposable fashion brands?

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  • I think this this due to having hectic lifestyles which mean people have to go from work to drinks in the evening or to run and pick up the children or shopping and so think they should wear something which is multi-funtional or can be washed quickly and worn again.

    posted by: adavison - view / reply

Discount Fashion

Low level clothing quality at an all time low price: – is poor quality, durability, bad distortion an acceptable outcome of low priced goods?  Will the consumer ever return to quality clothing, now that ‘wash 5 times and throw away’ is accepted amongst the masses?…“Ah well, I got my wear out of it anyway, it was only a fiver”

No other product in our everyday lives receives such lenience from its owner!

What are the consequences of this new buying behaviour?

If aesthetics alone are the main buying influence, should higher end brands become more complacent with regard to quality in order to compete for business?

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  • Mainstream discount fashion has overall reduced our commitment to big brands.
    How can those brands compete? How can the discount fashion retailers be toppled? SHOULD they be toppled?
    What will be their ultimate downfall, if any?
    Are discount brands really causing damage to our economy and to our attitudes, or do they in fact help our economy?

    posted by: steve.brindle - view / reply

  • Is there any possibility that a fashion brand - big or discount - (clothing or other) will ever attempt to take a lead through creativity - to make a meaningful and credible effort towards taking sustainability seriously. What we need is not big brand toppling discount or vice versa- we need a way to slow fashion down - shift our value systems, and re-educate our sense of worth.

    How can we rethink what fashion is?

    posted by: Fiona - view / reply

The British Man’s Fashion: High Street Highs & High Street Lows

Throughout history British men’s fashion has been on somewhat of a roller coaster ride, going through numerous highs and lows.  From the 1700’s noblemen who proudly wore intricate garments made from silk and adorned with lace, with a priority being placed on detail. Through two world wars, causing a “darkening” in fashion due to the government imposed rationing. Only then to bounce back again through the freedom and rebellion of the 1960’s, furthermore the excess and consumerism driven 1980’s.

However in recent times the high street man, not just the country, seems to be going through his own period of recession, losing the confidence to pull out the all style stops and just accept what he is given.  The trend we’re being told as “must have” this winter season by stores such as Topman and ASOS is “Wilderness” which, based on a number of male friends opinions, seems to project “refuse collector” rather than “refined”.  So why have men let trends like these become the image of their high street? And do men, and women, find these looks to be acceptable of today’s modern British man?

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  • What can the modern british man do to shift the way that the fashion machine interprets their needs? Does it ever ask them what they want, or who they want to be?

    posted by: fiona - view / reply

  • Is this not something that is seen through womens eyes and how they want the men to dress and be seen? Does it not stem for young men not having strong role models of men who are willing to stand their ground in fashion but who are also accessible to them, men are losing their 'usefulness' in all areas of life and are being pushed out does this reflect in the fashion market too?

    posted by: adavison - view / reply

Are we seeing the demise of the printed fashion magazine

With the ever increasing costs of printing and publishing and more fashion magazines going on-line, what is the future of hard copy magazines and if seen as an important commodity, how can we preserve it?’

Ruth Hardman-Howard
Course Leader BA Hons Fashion Promotion

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  • The magazines are beautiful its true but if you live or work in an interesting place bursting with inventive and creative people who enjoy making, wrecking and mixing up clothes, its a relief not to have to bother looking at photographs of clothes buried in amongst all those deeply pathetic adverts for make up and hair products.

    posted by: lubaina himid - view / reply

  • It would be a sad day when we cant physically hold images of what we would like to physically hold... You cant beat the "oooh my subscription has arrived" feeling and the first flick through the ads and the marvellous items you will never actually own, it just wouldn't be the same on screen. How to preserve it? make memberships cheaper to get more people loyal to the publication then it has the same convenience as online because its there ready and waiting to be read. I'd be surprised if clicking through an online version ever became preferential to the novelty of a fresh new magazine landing in its wrapper at your door, the physicality of a book of beautiful products and gorgeous people that is yours to keep forever....but maybe thats just me?

    posted by: nessa jane - view / reply

  • I think the magazine will never truely be replaced by digital media due to human nature, the need for the senses to be satisfied, such as the touch of the magazine. However with the advancements of technology, I feel products such as Digital Readers/Books will become far more frequent. Combining the need for the physical aspect of the magazine, with constant up to date information.

    posted by: Matt Ralph - view / reply

  • I doubt if magazines will disappear completely; however, they will become very expensive. Reduction of paper is necessary; and travel will only be allowed for essential needs. Landfilsl are comprising mainly of paper and burning causes CO2 gases. The future will have to reduce emissions for everything.

    posted by: rob rigby - view / reply

  • I think it will be survival of the fittest and most creative.. the more out there and interesting, the more reason to buy and keep a magazine. Monthly and quarterly mags are too slow to react in the way digital mags can, they may need to become more frequent without loosing their touch and quality. How will this impact on new starters in the field though ? Will we only buy big names and established titles or will DIY and handmade be seen more unique?

    posted by: adavison - view / reply